Feather Man Rhyll McMaster 9781459677340 Books
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Set in Brisbane during the stultifying 1950s, this account of the betrayal of love throws us into the disordered world of Sookie, a young artist. As she transits warily to the London of the 'swinging' 70s, she comes up against those who would try to steal her very identity. Intelligent, mordantly funny, it is dark comedy with edges.
Feather Man Rhyll McMaster 9781459677340 Books
Rhyll McMaster knows how to rivet her readers' attention. The opening scene in Feather Man depicts Sooky, the pre-adolescent protagonist, being molested by Lionel, the creepy pedophile next door. It's no accident that this is our introduction to Sooky, because it's this abuse that shapes Sooky's entire story - her adult behavior, her relationships with men, her sense of self-worth.The story is narrated by Sooky, looking back on her childhood in dusty suburban Brisbane, where she is neglected by disinterested parents and pawned off on Lionel (dubbed "Feather Man" by the girl because of his brood of hens), an elderly neighbor with a bedridden wife. Despite feeling ashamed of the sexual abuse, she also craves his attention because it is the only time she is made to feel special. Her mother is a stereotypical shrill harridan and her father, whom she dotes on, is a vaguely disinterested adulterer.
As Sooky matures, McMaster gives the reader glimpses into the great divide between how she views herself and how the world perceives her. As a young adult, she becomes a rather prolific artist and begins to find modest success. But she doesn't seem to express any particular passion for her art and then blithely abandons it for marriage to a rival artist - Lionel's equally creepy son Redmond. And yet her work, which is described in detail, sounds arresting and unique. Outwardly, Sooky, like her artwork, displays the brash bravado of a rebel, but inside she isn't particularly impressed with herself, frequently deferring to the whims of the mediocre men in her life. In her own mind, she is secondary to them, so much so that even in her own life story the chapters are entitled Lionel, Peter, Redmond and Paul.
I found this one a tough go in parts. The main character has an almost laissez faire attitude about her own best interests; there is little rage or self-pity and, for a reader, it feels a bit maddening. Yet there's enough oddball humor to keep the proceedings afloat. One particularly memorable scene involves Sooky inadvertently lighting her veil on fire at her wedding reception, causing a sensation and landing her in the paper - only to be met with outrage by her husband for upstaging him, no less.
McMaster is a wonderful writer. She evokes a very tangible sense of place - from the stifling backwater of Brisbane to the grotty bohemia of the London art world. Plus all of the secondary characters are nuanced and believable. But Sooky is certainly her masterwork. In her, McMaster has created a difficult, contradictory, infuriating, funny and admirable protagonist. Truly one of most believable characters I've come across in fiction.
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Tags : Feather Man [Rhyll McMaster] on Amazon.com. *FREE* shipping on qualifying offers. Set in Brisbane during the stultifying 1950s, this account of the betrayal of love throws us into the disordered world of Sookie,Rhyll McMaster,Feather Man,ReadHowYouWant,145967734X,Fiction Coming of Age,General & Literary Fiction,Modern & contemporary fiction,Modern & contemporary fiction (post c 1945)
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Feather Man Rhyll McMaster 9781459677340 Books Reviews
Feather Man, by Rhyll McMaster, is the coming of age story of Sooky, an only child who lives in Brisbane, Australia with parents who seem to be too distracted with fighting their own demons - and each other - to pay much attention to Sooky. Her parents are inattentive and generally impatient and as a result, she spends a lot of time with the new neighbor, Lionel. A strange, unhealthy relationship develops between Sooky and the elderly Lionel. Despite the fact that her mother encourages her to spend time with Lionel and his wife, Sooky eventually pretty much ceases contact with them.
Sooky's parents divorce, leaving her mother bitter and disillusioned and her father unavailable when he moves away to live with another woman. In high school, Sooky becomes increasingly interested in painting, and a true creative talent emerges. Whether it is because of her unhealthy relationship with her parents, or what happened with Lionel, or some combination of both, Sooky seems to drift through life in a fog of emotional disquiet and unhappiness. She has trouble forming healthy relationships.
Sooky eventually falls in love with Lionel's son, Redmond and follows him to London. By now it is the 1970's. Her relationship with Redmond plays out against the backdrop of the London art scene. He does not treat her well and Sooky struggles to keep a balance between placating the demanding man she thinks she loves, and pursuing the only thing that has ever made her truly happy - her art.
McMaster is an amazing writer. Her prose is pitch-perfect - in the whole of this book, there is not an extraneous word. This story has a very substantial feel, due primarily to McMaster's painstaking character development. From the first page, the reader is truly inside Sooky's head, and comes to know her intimately. I wanted so badly for everything to turn out well for her, for her to overcome her past, to be happy.
Despite the fact that Sooky disliked her mother quite intensely, I found her to be somehow endearing. Yes, her mothering skills were somewhat lacking, she was distant, negative, even harsh. I felt that much of her personality was attributable to the times - it was the 1950's and there wasn't much a woman could do if she found herself in a bad marriage, except grumble and complain. I must say, much of the grumbling and complaining was downright hilarious.
Sooky reviled everything about her mother, to a fault; at times it seemed extreme and unwarranted. I wanted her to set aside her resentment toward her mother, and see that under that harsh veneer was a woman who cared about her and could have been Sooky's ally in a lonely world.
This is not a light or particularly fast-paced read. But if you're looking for a book with real substance and excellent character development I think you'll enjoy this. If you liked Behind the Scenes at the Museum, by Kate Atkinson, I'm sure you'll like Feather Man - the novels feel very similar. They are both coming of age stories featuring complex main characters and a strong focus on the complexities and significance of the mother-daughter relationship.
This is the story of a girl nicknamed Sooky. While readers can work out her real name, it isn't actually used in the text until nearly the end of the book. This use of a nickname is in many ways the key to the story.
Who is Sooky?
Sooky is largely defined through a series of relationships. Growing up in the suburban Brisbane of the 1950s, her childhood is defined by an abusive relationship with a male neighbour, her hero worship of his son and a sense of alienation as her parents reject each other and Sooky herself. Sooky's sense of self is battered and wounded by the time she travels to London in the 1970s. Sooky makes some questionable decisions and at times exhibits appalling judgement. Yet it is difficult not to feel at least some sympathy for her as she strives to find her own way in a world that has not generally been supportive and where many seek to stifle her individuality.
`It is always a mistake to show your throat to the snarling teeth.'
Rhyll McMaster is an accomplished poet. This is her first novel and while the world it creates is a dark place, it is full of evocative imagery and humour. It is not a light read but it is a rewarding one. Those of us, who grew up in the 1950s and 1960s (especially in suburban Australia) will recognise many of the descriptions of household life.
Jennifer Cameron-Smith
Rhyll McMaster knows how to rivet her readers' attention. The opening scene in Feather Man depicts Sooky, the pre-adolescent protagonist, being molested by Lionel, the creepy pedophile next door. It's no accident that this is our introduction to Sooky, because it's this abuse that shapes Sooky's entire story - her adult behavior, her relationships with men, her sense of self-worth.
The story is narrated by Sooky, looking back on her childhood in dusty suburban Brisbane, where she is neglected by disinterested parents and pawned off on Lionel (dubbed "Feather Man" by the girl because of his brood of hens), an elderly neighbor with a bedridden wife. Despite feeling ashamed of the sexual abuse, she also craves his attention because it is the only time she is made to feel special. Her mother is a stereotypical shrill harridan and her father, whom she dotes on, is a vaguely disinterested adulterer.
As Sooky matures, McMaster gives the reader glimpses into the great divide between how she views herself and how the world perceives her. As a young adult, she becomes a rather prolific artist and begins to find modest success. But she doesn't seem to express any particular passion for her art and then blithely abandons it for marriage to a rival artist - Lionel's equally creepy son Redmond. And yet her work, which is described in detail, sounds arresting and unique. Outwardly, Sooky, like her artwork, displays the brash bravado of a rebel, but inside she isn't particularly impressed with herself, frequently deferring to the whims of the mediocre men in her life. In her own mind, she is secondary to them, so much so that even in her own life story the chapters are entitled Lionel, Peter, Redmond and Paul.
I found this one a tough go in parts. The main character has an almost laissez faire attitude about her own best interests; there is little rage or self-pity and, for a reader, it feels a bit maddening. Yet there's enough oddball humor to keep the proceedings afloat. One particularly memorable scene involves Sooky inadvertently lighting her veil on fire at her wedding reception, causing a sensation and landing her in the paper - only to be met with outrage by her husband for upstaging him, no less.
McMaster is a wonderful writer. She evokes a very tangible sense of place - from the stifling backwater of Brisbane to the grotty bohemia of the London art world. Plus all of the secondary characters are nuanced and believable. But Sooky is certainly her masterwork. In her, McMaster has created a difficult, contradictory, infuriating, funny and admirable protagonist. Truly one of most believable characters I've come across in fiction.
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